Robert Estrin - piano expert

How to play the Ocean Etude Op. 25 No. 12 by Chopin

An important concept to master music practice

In this video, Robert shows you how to play the famous Ocean Etude by Chopin.

Released on April 3, 2013

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DISCLAIMER: The views and the opinions expressed in this video are those of the author and do not necessarily reflect the views of Virtual Sheet Music and its employees.

Video Transcription

Take your mind and focus on the things you want in life. It's the one thing we all have control of is your thoughts.

Welcome to LivingPianos.com. Robert Estrin here with one of the most important aspects of your piano practice which is think the correction not the mistake.

How many times do I tell students this? They're adolescent, they miss something, go, oh what did I do wrong there? Let me find the mistake and I stop them in their tracks and say think the correction not the mistake. Why is this so important? Well, what you think about manifests itself.

This goes not just for your piano practice, it goes for performance also.

If for example you have a performance coming up and you're thinking about oh man what's going to happen if I mess up? Oh man it would be horrible if I play wrong notes. Oh I hope I don't forget something.

And you just keep thinking those thoughts.

You know what's going to happen when you get to that performance? You're going to mess up, you're going to forget things, you're going to do exactly what you told yourself you would do. Remember this, self -talk you believe what you say. You do. You'll take it to heart whatever it is. So you have to absolutely flip your thinking.

Only think the correction in your music. When you miss something where was that? What is the right note there? That's the question to ask yourself.

Concentrate on the correction. Oh is a D sharp there, D sharp.

Ah that's it and understand the correction in context. Okay it's a B dominant seventh chord, of course it's a D sharp there.

And cement that in your thinking. And this goes as I said about anything you're doing in music, of course this goes for life itself. People who keep thinking of the negative thing like oh man I shouldn't have that bag of chips, it's ten o 'clock at night, I shouldn't do that, I shouldn't do that, oh man if I eat that I'm going to be so, oh. You keep thinking about it. You know if you're like ah forget about it I'm just going to have the damn bag of chips.

Don't think about it. Think about how good you feel that not having those chips. Think about anything else. Think about something productive. Maybe if it's not too late sit down with a piano and do something. Read a book.

Take your mind and focus on the things you want in life. It's the one thing we all have control of is your thoughts and what you think about manifests itself in your life and in your music. And that's a lesson for today. Take it to heart. It can really make a huge difference in your music and in your life. Thanks again, I'm Robert Estrin. This is LivingPianos.com, your online piano resource. See you next time.
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Comments, Questions, Requests:

Tony Finch on April 5, 2018 @8:33 pm PST
Dear Mr Estrin, The penultimate semiquavers in bars 16 and 72 of the etude op 25 no 12 appear in some editions as G and in others as F. Which is authentic? I find F easier to play!
reply
Robert Estrin - host, on April 7, 2018 @12:12 pm PST
If you are referring to the second to last notes of the measures in the right hand, the Henle Urtext edition has "G's" in both places. That is the way I have always played it.
Tony Finch on April 9, 2018 @8:39 am PST
Thank you. Some versions on YouTube have F in both cases so I was puzzled.
paul.plak * VSM MEMBER * on February 22, 2017 @1:54 pm PST
if you want to eat an elephant, you have to cut him in small pieces. Just the right approach.
Denis Gogin on June 24, 2015 @2:34 am PST
Hello, Robert,
I have a question about transitions from one octave to another in this etude , could you suggest some preparatory exercises to improve this skill?
reply
Robert - host, on June 24, 2015 @2:50 pm PST
As I show in the video, practice going to the repeated note that changes fingers in each hand without going further. Practice arriving on that note with the other fingers of the hand over the octave (and middle note). You should practice very slowly at first until you can make the change to the higher octave instantaneously.
Iretnal on August 11, 2014 @11:52 pm PST
Thank you, that was very instructive!
robertfields * VSM MEMBER * on April 14, 2013 @8:21 am PST
This was very informative
Thank you very much
henry morris * VSM MEMBER * on April 6, 2013 @6:23 am PST
thanks for this, Robert! appreciated.
J. Shaw on April 5, 2013 @6:39 am PST
Thank you. Nice to see someone else who uses the same approach in teaching. My students will have another reference.
Judith Stijnis * VSM MEMBER * on April 4, 2013 @12:52 pm PST
Thank you . It is very interesting
Ross * VSM MEMBER * on April 4, 2013 @9:32 am PST
Exquisite! Before watching your video I regarded this Etude as the Mount Everest never to be tackled by me; now it looks more like a piece that I may actually dare attempt!! Your simple explanation and analysis of the Etude makes all the difference. Thank you Robert.
BJ on April 4, 2013 @8:27 am PST
Have been playing and teaching for years and always avoided the etudes as I have small hands. However you've prompted me to get my book open and have a go. Thanks
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